selective focus using onone photo 10 focus bug

We were all over those lobsters like crazed squirrels on a feeder. Susan and I had gone to the southwest side of the island to Thurston’s Lobster Pound, one of the best in the area. There were horrible cracking noises, much gnashing of teeth, moaning, slurping… and a good bit of drawn butter. We were in Maine, on Mount Desert Island, one of the most scenic places I know. So, why I did I have the audacity – the unmitigated gall – to present only three exposures to this pool of talent? Allow me to explain: They’re all friends, so I don’t mind giving them a place to vent their rage. You’ll see how they processed that sad bit of information in their comments below each picture. What I’ve learned is that one should never present a paltry three-bracket set to these Big Guns without expecting a lot of ribbing about a simple -2/0/+2 EV set. “Okay, I like this other one,” I thought as I uploaded my chosen bracket set to DropBox. Another composition was decent, but nothing all that spectacular. One potential bracket set had 11 frames, but with a heavy sun flare and dust spots, I thought it would be more effort than they’d like to endure. A mighty chorus of one chimed in with “waterscape.” So be it: Let’s see what I’ve got in the library.

The person who provides the brackets posts the results, and as most would agree, it’s fascinating to discover how each contributor ‘sees’ the same scene.Īs we were emailing each other for the latest project, I asked the group what genre of brackets they’d like this time. The HDR Collaboration Project: In each round, one photographer provides a set of image brackets to the group, and we apply our personal style in post-processing the set.

Selective focus using onone photo 10 focus bug